BELIEVE me, it's just a matter of time before Glenn Jones breaks through and enters the proverbial winner's circle for life! I've been saying this for two years now and felt it was timely now that RCA has just released Glenn's third LP, entitled "Take It From Me".

IT'S been three years since her last album . . . but now she's back! "Watch Out" is the title of the new album and single and judging by the response so far, both will be big sellers. Yes indeed, Patrice Rushen has returned with a vengeance. The album, incidentally, is all her own work except for three tracks ? "Somewhere", "Anything Can Happen" and "Long Time Comin'" ? and the project is a direct cross between dance and ballad.

"{safm}Peabo Bryson{/safm} was far more involved with this album than he was with "Take No Prisoners". That was a successful album but he felt his biggest successes have always come on his own. I think that my songs best reflect my personality and that's when I fell the most comfortable.

THE timing certainly seems ripe for some changes in the Maze camp. It was obvious with the release of a second "live" album set that
everything was not A-OK with Frankie Beverly and his Maze cohorts.
However, let's first of all dispel the rumour that circulates the most when the names of Frankie and Maze are mentioned. No Beverly solo run!

You know, it's been fourteen years since "If Loving You Is Wrong" and something like nine years since we last had an album from Luther Ingram. And yet, after one listen to Luther's new album (rather unimaginatively tagged "Luther Ingram"), it's as if the crooner has never been away. But he has!

The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
Minutes later, we're joined by baritone Lenard Brown for a three-way conversation centred around the release of the quartet's first album for Capitol Records, appropriately entitled, "Just In Time".

"I Must Not Be Kinky" is the intriguing title of a new four track mini album from Tina Harris, a white R&B singer who has been working in and around the Los Angeles area for a few years. The mini album is released on Shanachie Records and includes one song produced by Lenny White and another two written by Bus Boys leader Kevin O'Neal.

Niemand in Nederland heeft zo'n grote betekenis voor het fenomeen remixen gehad als Ben Liebrand. Hij is de pionier, de uitvinder en de grootmeester. Hij was een van de eersten ter wereld die als man achter de knoppen op de hoes en in de titel van een nummer werd vermeld. De toevoeging The Ben Liebrand Remix' werd op een zeker moment een garantie voor verkoopsucces, waarbij de naam van de artiest nauwelijks meer ter zake deed. Inmiddels heeft de remix een andere betekenis voor de popmuziek gekregen, en heeft Liebrand zijn werkterrein uitgebreid naar grafisch werk. Maar hij maakt nog steeds muziek, en heeft er veel over te vertellen. We hadden een inspirerend gesprek over de invloed van de Minimix, hardware versus software, en de gevolgen van zijn succes.

It's not very often that a group hits the top spot on any chart with their first record but Levert (Sean and Gerald Levert and Marc Gordon) did just that last year with "(Pop, Pop, Pop) Goes My Mind" when the record, taken from their debut album entitled "Bloodline", became a black music No. 1. A little over a year later, with a solid stint on the road behind them, Levert are threatening to repeat their initial success with "Casanova", the insistent, hypnotic ditty produced by Reggie Calloway.

Here are some Liners from October '87 from the B&S Magazine. 

Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.

Currently unattached, he adds that although he welcomes the attention of young ladies who show romantic interest, "I'm from the old school, an old-fashioned kind of guy so I can handle myself in the proper way. Right now though, I'd say my career is my biggest priority I'll deal with romance later!"