OFTEN, when a lead vocalist leaves a successful group, it comes as
surprise to the rest of the world. However, there are usually very
strong underlying reasons that simply didn't come to the attention of
the public. Certainly, that was true of the Lionel
Richie-Commodores and Jeffrey Osborne-LTD
splits. And, to a lesser degree, it's the case in the {safm}Howard
Hewett{/safm}-Shalamar parting of ways.
Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.
The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
If you've been a funk lover for at least ten years, you will no doubt remember George and Louis as the two brothers who got you out on the dance floor with a string of hits for A&M that included "I'll Be Good To You", "Get The Funk Out My Face", "Ain't We Funkin' Now", "Stomp!" and "Light Up The Night".
AFTER a long hiatus and a label change, Steve Arrington is
back in the land of the recorded living! The ex-front man for
Slave marks his
switch from Atlantic/Cotillion to Manhattan with what most critics feel
is his best and, even more importantly, his most commercial effort yet
"jam Packed".
Whilst the name Miki Howard may be new to you, the gifted
vocaliste is anything but a newcomer. In fact, quite the contrary
because Miki's prior main claim to fame was as lead singer with Side
Effect, a group who were by the critics but whose commercial pedigree
never materialised.
IF
predictions were my line, Motown's newest signing Stacy Lattisaw could,
in time, become a serious threat to the likes of Teena Marie and Janet
Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer. With "Nail It To The
Wall" showing healthy signs of becoming a hit, Stacy's debut album
"Take Me All The Way" is set for UK release next month - and what a
stunner that is too! However, before getting to that, a few facts and
figures.
Read the success story of Colonel Abrams trapped. It's an interview
that Colonel Abrams gave for Blues and Soul magazine in 1985.
It's not very often that a group hits the top spot on any chart with
their first record but Levert (Sean and Gerald Levert and Marc Gordon)
did just that last year with "(Pop, Pop, Pop) Goes My Mind" when the
record, taken from their debut album entitled "Bloodline", became a
black music No. 1. A little over a year later, with a solid stint on
the road behind them, Levert are threatening to repeat their initial
success with "Casanova", the insistent, hypnotic ditty produced by
Reggie Calloway.