To soul fans, and particularly Soul and Funk Music.com visitors, Alyson Williams is no newcomer. Featured on duets with Def Jam labelmates Tashan, Chuck Stanley and Oran 'Juice' Jones and part of the "Soul Songs" tour in 1987, the soulful lady left an indelible impression on European music lovers through her varying different musical excursions.
It's not very often that a group hits the top spot on any chart with
their first record but Levert (Sean and Gerald Levert and Marc Gordon)
did just that last year with "(Pop, Pop, Pop) Goes My Mind" when the
record, taken from their debut album entitled "Bloodline", became a
black music No. 1. A little over a year later, with a solid stint on
the road behind them, Levert are threatening to repeat their initial
success with "Casanova", the insistent, hypnotic ditty produced by
Reggie Calloway.
"SO,
WHAT'S in a name? Well, maybe that depends on what particular career
you happen to be pursuing. What, I wonder, would have happened to Tina
Turner had she pursued her professional career under her real name
Annie Mae Bullock or Edwin Starr who entered this mortal coil in
January 1942 under a Charles Hatcher monniker. Possibly the results
would have remained the same, but you never do know. Is it First Circle or Full Circle?.
IF predictions were my line, Motown's newest signing Stacy Lattisaw
could, in time, become a serious threat to the likes of Teena Marie and
Janet Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer.

Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com