IF THEY aren't already, pretty soon Akron, Ohio based Heat Records will
become known as a company adept at turning out stunning ballads what
with first the superb album from Frederick, then the fine just The Two
Of Us single from Johnston Brown & Janice Dowlen and now a
consistent follow-up to Ivy's debut LP in 1984 with "Ivy II".
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BELIEVE me, it's just a matter of time before Glenn Jones breaks through and enters the proverbial winner's circle for life! I've been saying this for two years now and felt it was timely now that RCA has just released Glenn's third LP, entitled "Take It From Me". |
With a succession of specialist radio and club anthems ("Keep Your Body Working". "Get Tough"' "Intimate Connection" etc. having made Kleeer one of the most consistently acclaimed American funk outfits on the thriving early eighties UK soul scene,

Rick was a musical prodigy, producing records when he was 16 years old instead of going to school. He and Harry Wayne Casey (KC) worked at TK Records in Miami, where they joined forces to write and record five #1 hits as KC and the Sunshine Band. Two white guys with a black rhythm section, they shaped the sound of what would become known as Disco. Here's how it happened. Read the full interview on Songfacts.com
IF
predictions were my line, Motown's newest signing Stacy Lattisaw could,
in time, become a serious threat to the likes of Teena Marie and Janet
Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer. With "Nail It To The
Wall" showing healthy signs of becoming a hit, Stacy's debut album
"Take Me All The Way" is set for UK release next month - and what a
stunner that is too! However, before getting to that, a few facts and
figures.
Whilst the name Miki Howard may be new to you, the gifted
vocaliste is anything but a newcomer. In fact, quite the contrary
because Miki's prior main claim to fame was as lead singer with Side
Effect, a group who were by the critics but whose commercial pedigree
never materialised.
IN THE music industry it seems that new forms of music are competiting against old. Take Hip Hop for example. R&B artists dis hip hoppers, jazz vocalists poke fun at rhymes and drum machines. Nobody seems to like each other .. .or do they?