To say Freddie Jackson is at the cross roads of his career would be something of an understatement. As far as cross roads go, Freddie's reached his spaghetti junction .. . in the rush hour! A slew of silky smooth hits in the eighties, kick started with undoubtedly his best collection to date, the two million selling "Rock Me Tonight" in '85, which of course, contained the monstrous title track along with the likes of "Calling" and "You Are My Lady", has, over the course of nine years and five albums gradually slowed down along with record sales. As the era for the smooth candlelight and champagne crooners in the '80's has given way for the riff happy, baggy jeans, bandana and Timberland hip-hop/soul homies in the '90's, naturally many of the older guard have been left concerned with the change of pace of their careers.
IF predictions were my line, Motown's newest signing Stacy Lattisaw
could, in time, become a serious threat to the likes of Teena Marie and
Janet Jackson. She was, to all intents and purposes, quite a surprising
addition to the Motown family because prior to this, very little had
been heard about the nineteen year old singer.
Read the success story of Colonel Abrams trapped. It's an interview
that Colonel Abrams gave for Blues and Soul magazine in 1985.
To soul fans, and particularly Soul and Funk Music.com visitors, Alyson Williams is no newcomer. Featured on duets with Def Jam labelmates Tashan, Chuck Stanley and Oran 'Juice' Jones and part of the "Soul Songs" tour in 1987, the soulful lady left an indelible impression on European music lovers through her varying different musical excursions.
The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".
FINDING out that Atlantic Starr? whose music has marked them as a real
staple in anyone's black music diet for the past 9 years ? have only
ever had one gold album came as a shock to me when keyboardists
Jonathan Lewis revealed that very information during the course of our
recent interview, held in conjunction with the forthcoming release of
the group's Warner Brothers' debut, "All In The Name Of Love". You
could, as they say, have knocked me down with a pennyfeather ? or some
kind of feather!