The group name Slave has been with us a long time but not necessarily so the new personnel and the new direction. However, latest recruit Keith Nash explains why the 'new' Slave are ready to carry on the tradition.
"SO,
WHAT'S in a name? Well, maybe that depends on what particular career
you happen to be pursuing. What, I wonder, would have happened to Tina
Turner had she pursued her professional career under her real name
Annie Mae Bullock or Edwin Starr who entered this mortal coil in
January 1942 under a Charles Hatcher monniker. Possibly the results
would have remained the same, but you never do know. Is it First Circle or Full Circle?.
MUSIC
was far from Mary Davis' mind when we sat down to mega-chat just
recently. The remainder of the SOS Band were off doing their own thing
leaving The Two Davises to chat over sandwiches and coffee.
Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.
You know, it's been fourteen
years since "If Loving You Is Wrong" and something like nine years
since we last had an album from Luther Ingram.
And yet, after one listen to Luther's new album (rather unimaginatively
tagged "Luther Ingram"), it's as if the crooner has never been away.
But he has!
To soul fans, and particularly Soul and Funk Music.com visitors, Alyson Williams is no newcomer. Featured on duets with Def Jam labelmates Tashan, Chuck Stanley and Oran 'Juice' Jones and part of the "Soul Songs" tour in 1987, the soulful lady left an indelible impression on European music lovers through her varying different musical excursions.
The phone rings at exactly 2:30pm on a sunny L.A. afternoon, and for any interview to begin precisely on time is, to say the least, unusual. On the other end of the line is Reginald McArthur, lead singer of The Controllers, the Alabama-based group whose recording career began in 1975 with the ever-soulful "Somebody's Gotta Win, Somebody's Gotta Lose".