Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.
To say Freddie Jackson is at the cross roads of his career would be something of an understatement. As far as cross roads go, Freddie's reached his spaghetti junction .. . in the rush hour! A slew of silky smooth hits in the eighties, kick started with undoubtedly his best collection to date, the two million selling "Rock Me Tonight" in '85, which of course, contained the monstrous title track along with the likes of "Calling" and "You Are My Lady", has, over the course of nine years and five albums gradually slowed down along with record sales. As the era for the smooth candlelight and champagne crooners in the '80's has given way for the riff happy, baggy jeans, bandana and Timberland hip-hop/soul homies in the '90's, naturally many of the older guard have been left concerned with the change of pace of their careers.
Currently unattached, he adds that although he welcomes the attention
of young ladies who show romantic interest, "I'm from the old school,
an old-fashioned kind of guy so I can handle myself in the proper way.
Right now though, I'd say my career is my biggest priority I'll deal
with romance later!"
With a succession of specialist radio and club anthems ("Keep Your Body Working". "Get Tough"' "Intimate Connection" etc. having made Kleeer one of the most consistently acclaimed American funk outfits on the thriving early eighties UK soul scene,
HOW time flies! Do you realise that it's been two years since the last
Mtume album, "You, Me And He"? On the other hand it probably has taken
the gifted one that amount of time to really create his just-released
"Theater Of The Mind" concept album ? a veritable musical masterpiece!
"Not quite," he smiles. "But it took more than seven months of working
fifteen-sixteen hours a day, seven days a week. In fact, it got to the
point where I built myself a little apartment above the studio!
AFTER a long hiatus and a label change, Steve Arrington is
back in the land of the recorded living! The ex-front man for
Slave marks his
switch from Atlantic/Cotillion to Manhattan with what most critics feel
is his best and, even more importantly, his most commercial effort yet
"jam Packed".