IN THE music industry it seems that new forms of music are competiting against old. Take Hip Hop for example. R&B artists dis hip hoppers, jazz vocalists poke fun at rhymes and drum machines. Nobody seems to like each other .. .or do they?
AFTER a long hiatus and a label change, Steve Arrington is
back in the land of the recorded living! The ex-front man for
Slave marks his
switch from Atlantic/Cotillion to Manhattan with what most critics feel
is his best and, even more importantly, his most commercial effort yet
"jam Packed".
Master drummer/producer Norman Connors has been away from the recording scene for almost six years now but out of studio doesn't mean out work. The man who first brought the likes of Phyllis Hyman, Michael Henderson and Glenn Jones to public attention vai his mid-Seventies albums for Arista and Buddah is quick to point out that he's been performing pretty consistently throughout that time.
It's not very often that a group hits the top spot on any chart with
their first record but Levert (Sean and Gerald Levert and Marc Gordon)
did just that last year with "(Pop, Pop, Pop) Goes My Mind" when the
record, taken from their debut album entitled "Bloodline", became a
black music No. 1. A little over a year later, with a solid stint on
the road behind them, Levert are threatening to repeat their initial
success with "Casanova", the insistent, hypnotic ditty produced by
Reggie Calloway.
You may be forgiven if you think 'Deja' has a sort of familiar ring.
The name may be new, but the duo boast a partnership spanning more than
ten years. And though the name alludes to something we've seen before,
Curt Jones and Starleanna Young are looking forward to the future, not
back to the past. Dropping the name Aurra is a positive move to
exorcise ghosts from the past, and start afresh with a whole new sound.